Silas Marner by George Eliot

Wrongly accused of theft and exiled from a religious community many years before, the embittered weaver Silas Marner lives alone in Raveloe, living only for his precious hoard of gold. But when his money is stolen and an orphaned child, Eppie, finds her way into his house, Silas is given the chance to transform his life.

The story of an isolated man who learns to open his heart, Silas Marner was George Eliot’s favourite of her novels, combining humour, rich symbolism and pointed social criticism.

Classic fiction often brings a stimulating conversation to our meetings. The majority of our group has come to reading classics later in life, so what we lack in literary comment is made up for with unqualified, yet genuine observations.

This type of discussion can then lead to a very enlightening look at what can some times be a rather sombre or staid study.  

Generally speaking Silas Marner was well received. Praise was given to Eliot’s descriptive passages and character profiles. Village life was superbly portrayed with all the human characters tenderly drawn out. Everyone loved Dolly and her freely given advice on child-rearing, and anything else she felt needed saying! Empathy for Silas was also forth coming and even the neat and tidy, happy ending was forgiven.

There was some comment on the difficulty of the language and also the pace, which was just a little slow and frustrating for this busy time of year. We all agree that along with many other English classics, Silas is at its best when being read aloud. A few of us read out favourite passages and the group’s enjoyment was clearly evident.  

It was felt that the theme of redemption was strong and could apply to many modern stories today, but basically this was a beautifully told ‘fairy’ tale that did not fail in its aim to enchant us.

My Brilliant Friend by Elena Ferrante

My Brilliant Friend is the gripping first volume in Elena Ferrante's widely acclaimed Neapolitan Novels. This exquisitely written quartet creates an unsentimental portrait of female experience, rivalry and friendship never before seen in literature.

The story of Elena and Lila begins in the 1950s in a poor but vibrant neighbourhood on the outskirts of Naples. They learn to rely on each other and discover that their destinies are bound up in the intensity of their relationship.

Elena Ferrante’s piercingly honest portrait of two girls’ path into womanhood is also the story of a nation and a meditation on the nature of friendship itself.

If scoring a book is any indication of its popularity, this month’s novel by Italian writer Elena Ferrante comes in a very poor last with our group.

Only two of us found the story of Lena and Lila transfixing, with vivid images and a compelling story that begs you to read on.

The majority of the group found little to interest them and much to annoy. They thought it repetitive, long and drawn out and felt the translation stunted and difficult to read.

How can a novel evoke such differing views? It is always interesting discovering what each person gets (or doesn’t get) from a book. A particular writing style, theme or plot can be all consuming to some, whereas another reader gleams little or nothing of interest from the same content.

Thankfully we have learnt that this exact circumstance can lead to a very interesting discussion … which we had this month. We covered the social structure of small, impoverished communities, family violence, friendship and rivalry, language and some of the very complex ideas played out within Ferrante’s four Neapolitan novels.

Some of us felt it was written more for an Italian audience and that the translation may not have done it justice. But those of us who are fans found everything to like in this novel … from the highly volatile atmosphere of poverty ridden Naples streets to the inner sanctum of two young girls discovering their place in a male dominated world of sex and violence.

Considering the global popularity of these novels, it now begs the question, will there be a movie? Or better yet, a series!

Lorna escapes her conventional Kensington family to marry an artist, Matt. They settle in a small cottage in Somerset, where their daughter Molly is born. But World War II puts an end to their immense happiness. Molly will have to wait longer to find love as she gamely grapples with work and sex in 1960s London, while Ruth, Lorna's granddaughter, has to wait longer still.

An enthralling examination of interweaving love and history, Consequences pinpoints the moments when three women in very different times find love.

We had a large turn out this month so our discussion turned out to be quite ‘lively’ (pun intended!). And although our scores were not far stretching (6-8), the overall perception of the story and Lively’s style was broad.


Most of us agreed the writing was clever and well structured with beautiful language that satisfied even the most dedicated logophile amongst us. Some loved the gentleness of the story and its characters with a predictability that they found comforting. Then again, there were those who found these exact traits annoying and felt the author needed to delve further into the historical setting and social changes of the time.


It was suggested that the characters, although likeable enough, were merely sketched and not drawn. We decided this particular aspect of the writing is exactly what kept the book’s pace going forward. Many of the characters’ inner workings were left for the reader to form themselves and the many family dynamics experienced through the generations were well done, without hysterics. Something a good percentage of our group appreciated.


Everyone found the artist, Matt and his wood-carving interesting and felt the author had done her research well here. In true Viti style, she suggested the wood-carving and its distinct lines could be a representation of the story line itself … as an outline with the details to be imagined by the appreciator of the art, and as such, the reader.


The title was also discussed, concluding that each generation was to live with the consequences of those before them. Overall, it was decided that as a woman’s book Consequences told a subtle and thoughtful story of familial relationships through the generations, with skilfully constructed characters and a storyline aimed to please, if not the hard-core reader, somewhere in the middle of enjoyable contemplation.

Slade House by David Mitchell

Turn down Slade Alley – narrow, dank and easy to miss, even when you’re looking for it. Find the small lack iron door set into the right-hand wall. No handle, no keyhole, but at your touch it swings open. Enter the sunlit garden of an old house that doesn’t quite make sense; too grand for the shabby neighbourhood, too large for the space it occupies.

 

This unnerving, taut and intricately woven tale by one of our most original and bewitching writers begins in 1979 and reaches its turbulent conclusion around Hallowe’en, 2015. Because every nine years, on the last Saturday of October, a ‘guest’ is summoned to Slade House. But why has that person been chosen, by whom and for what purpose? The answers lie waiting in the long attic, at the top of the stairs …

As a club we won’t usually revisit an author for at least a few years, preferring instead to widen our reading scope to new or different writers. But after reading the Bone Clocks last year, the release of Slade House was a must … and soon, before the magic of Bone Clocks disappeared into whatever realm it came from!

Not so much a sequel as a supplement to Bone Clocks, Slade House captivated us in much the same way … with a clever, complex storyline, fabulous characters and a fantastically enthralling plot. There was much to discuss of Mitchell’s bizarre tale, and thankfully Viti came through with her ever enlightening observations, such as the reference to Alice in Wonderland (the door to Slade House), and the house itself being likened to Doctor Who’s tardis. Then there was Mitchell’s use of the number 9, which Viti advised is the ancient symbol of regeneration, something the twins were totally into (albeit, in a most nasty way!) within the walls of Slade House.

We also made comment on Mitchell’s ability to balance the natural and supernatural. There are few of us that would say fantasy is our preferred genre, yet the exploits conjured up in his latest offering had all but one of us applauding. Denise was unimpressed, with little patience for the characters or the storyline. It is worth noting that she has never really taken to any of David Mitchell’s books, so it is not surprising that this one also left her with little joy.

As for the rest of us, we are keen to see what will come next … left with an open ending to rival the best, we have no doubt that Slade House will be back! The big question is … in what form?

Go Set a Watchman by Harper Lee

Twenty-six-year-old Jean Louise Finch--"Scout"--returns home from New York City to visit her aging father, Atticus. Set against the backdrop of the civil rights tensions and political turmoil that were transforming the South, Jean Louise's homecoming turns bittersweet when she learns disturbing truths about her close-knit family, the town and the people dearest to her.

Memories from her childhood flood back, and her values and assumptions are thrown into doubt. Featuring many of the iconic characters from To Kill a Mockingbird, Go Set a Watchman perfectly captures a young woman, and a world, in a painful yet necessary transition out of the illusions of the past--a journey that can be guided only by one's conscience.

The long awaited sequel to Harper Lee’s classic has proved to be a slightly painful experience for some fans. The majority of our group were, to say the least, underwhelmed with it. Others found it totally unreadable, and then some found it impossible to believe Lee even wrote it!

Why? When the author is credited with writing one of the best novels of all time! Good question … and one we tried (in vain) to answer.

Much of the disappointment is seeded in the downfall of Atticus and the annoying immaturity of the adult Scout, but there were also several comments concerning the quality of the writing. Those of us who believe To Kill a Mockingbird to be one of the greats found it a stretch of the imagination that Lee could produce such a light weight novel.

With a little research into its publication, as a group we decided that the publishers who first read Watchman, turned Lee down for good reason. In fact, they probably did her a huge favour as, apparently, she then went on to write Mockingbird.

We did have some more positive opinions expressed. Those who enjoyed the Watchman sequel found it to be a realistic telling of the times. The fear of changes that were to come with the NAACP would have been widespread, and Atticus could not help but be influenced and guided by them. And Scout’s disillusionment and subsequent rebuking of her father gave her character the  ideology of the young, something many parents received during such tumultuous times.

It could be said that Mockingbird itself might well be Watchman’s worst enemy. For if you have had Atticus and Scout on a pedestal for 50 years, you are not likely to welcome a story that brings them crashing to earth!

But in the end,  if you want a conclusion to the Mockingbird tale, Go Set a Watchman is what’s on offer. As readers, we then have the power to accept or reject. Which will you do? 

Dear Life by Alice Munro

With her peerless ability to give us the essence of a life in often brief but spacious and timeless stories, Alice Munro illumines the moment a life is shaped — the moment a dream, or sex, or perhaps a simple twist of fate turns a person out of his or her accustomed path and into another way of being. Suffused with Munro’s clarity of vision and her unparalleled gift for storytelling, these stories (set in the world Munro has made her own: the countryside and towns around Lake Huron) about departures and beginnings, accidents, dangers, and homecomings both virtual and real, paint a vivid and lasting portrait of how strange, dangerous, and extraordinary the ordinary life can be.

In the years our club has been meeting we have not been big ‘short story’ readers, but the suggestion of reading Alice Munro gave us the perfect opportunity to experience one of the best in the business!

Dear Life proved to be very popular with our group. Although a collection of what you would not consider ‘uplifting’ stories, Munro nevertheless impressed us all with her sense of place, realistic characters and human frailties.

Everyone agreed that the writing was exceptional as we conceded that telling a short story is a particular skill and Munro has a way of popping you into the story mid-way and giving enough information to first get you interested, and keeping you that way. Then, delivering the punch that makes the whole story become clear. Not every writer can do this … and Munro not only does it, she does it well!

What we were all able to glean from this collection is quite exhaustive, so will only list a few here. Common themes we found were infidelity, disabilities, rural communities, teachers, doctors, dominating males … and strangely, trains. In every story there seemed to be someone leaving, arriving or waiting for a train? Make of that what you will.

There were a few negative comments. Mostly about the depressive nature of the tales. The down-side of life was a little too focused, with scant joy, although some found small snippets of humour scattered here and there. But in general, Dear Life may be a little too realistic for those looking for some escapism.

Our discussion eventually focused on Munro herself and the biographical nature of her writing. Some felt she vented much of her life through her stories … well, they say writing is good therapy. Thankfully, good writing can also hold much positive feedback for the reader!

The Eye of the Sheep by Sofie Laguna

Meet Jimmy Flick. He's not like other kids - he's both too fast and too slow. He sees too much, and too little. Jimmy's mother Paula is the only one who can manage him. She teaches him how to count sheep so that he can fall asleep. She holds him tight enough to stop his cells spinning. It is only Paula who can keep Jimmy out of his father's way. But when Jimmy's world falls apart, he has to navigate the unfathomable world on his own, and make things right.

Told from the mesmerising point of view and in the inimitable voice of Jimmy, this is an extraordinary novel about a poor family who is struggling to cope with a different and difficult child.

High scores all around could take this month’s book to the top of our list this year.

Consistent remarks such as, ‘Well written’, ‘great insight’, and ‘brilliantly portrayed’ went around the table, with everyone feeling much empathy for Jimmy and his whole family, even the father, whose struggle with alcohol and domestic violence would not normally get a great deal of sympathy from our group! We all thought Robbie a wonderful big brother and Paula a sad, yet endearing character whose only fault was she loved too much.

It was thought that Laguna found a unique way to tell a child’s story through his own autistic view of the world. It was left up to us, the readers, to fill in any gaps which, with Jimmy’s frankness and precision, we found easy to do (although some found it all a little overwhelming).

There were many social issues addressed in this book … mental health, domestic violence, education, community services and generational dysfunction, so if you are even a little sensitive to familial turmoil, you might find the contents a little disturbing.

But there was also an uplifting side to this novel. It gives good insight into children on the spectrum, their joys and challenges, and there is also hope and throughout the book, love … misguided at times, but love nonetheless.

The only criticisms were the repetitive nature of Jimmy’s narration, (which we realise was necessary for a true portrait of who he was) and the fact that certain problems associated with such a dysfunctional family were glossed over, or not addressed at all. In other words, it could have been so much worse!

Then again, without exception, everyone in our group knew of or had experience with an autistic child, either professionally or personally, an they all believe that Laguna got it right.

So if you pick up The Eye of the Sheep and don’t shy away from its confronting aspects, you’re in for a powerful read!