This Pulitzer Prize
winner is a big read, (700+ pages) and not everyone had managed to finish by
the time we met this month, but for a few exceptions The Goldfinch was considered a worthy and, some would say,
brilliant read.
Theo’s life never
seemed to get on to a positive path, sending the novel into a downward spiral
of self-destruction, obsession and in the end, uncertain conclusion. So why
would we as readers enjoy this? Most of us put it down to good writing and a capacity
to draw you into an exclusive, fictitious world. One which can be hard to shake
yourself out of after a few hours of reading.
Tartt is a master at
creating such a world, as proven in her first novel The Secret History.
Such literature is
not for the faint of heart though. A few of us admitted to coming down with a
small case of literary fatigue during the read, but generally the opinion was
of … ‘it was worth it’, with the majority of us looking for the big picture
message that must be contained within the many pages.
And although it was
agreed the story was a little contrived, we put some effort into digging deeper
and finding underlying themes. Art and beauty and the need for both scored
high, also the struggle with guilt and loss, something Theo suffered throughout
the book.
Character driven,
this book chases many demons … sending readers swinging both ways with Theo and
his cast, but along the journey something is built that stays with you once the
last page is turned. And it is this fact alone that puts The Goldfinch into a category of worthwhile novels to read.